Paris-based singer-songwriter Michael Wookey talks about writing Leaving the Table behind the Hotel Amour, the lived-in sound of a Casio, and finishing a song somewhere between giving up and running out of time.
Brett Kohler says the track order on No Particular Reason happened by accident. It didn’t. Ahead of the album’s October 3rd release, the Detours frontman talks through the songs that shaped the record, from a couch in Hollywood to the Viper Room stage where it all started.
Trevor Hedges doesn’t do surface level. In this SONIQLOOX Conversations sit-down, the Sundressed frontman gets into the week Chris Carrabba texted him out of nowhere, the fan interaction he’ll never forget, and the new record being built in San Diego after one of the hardest years of his life.
Seth Beamer talks Nashville, producing other artists, the diss track hiding in plain sight on his debut album, and music he’s never spoken about publicly — until now.
The Sad Hour is Detroit theatrical dark alt rock built around death positivity, Victorian ritual, and the belief that gold only means what you decide it means.
Jackson Culp on the making of DOWN HONEY, shooting a music video in the Louisiana woods at night, and what comes next for the Skull Boy’s mythology.
Brett Kohler didn’t plan on being a musician. A medical detour, a guitar, and an open mic later — The Detours are one of LA’s most compelling live bands. We talked with Brett about songwriting, the Viper Room, and a debut album on the way.
Decent society stuff. The kind of thing that shouldn’t need a song written about it in 2026.
Vince Spano moved to Austin with that idea and no band, spent seven years working toward it, and when it finally landed, the response caught all of them off guard. “Hell yeah,” he said. “We did that.”
“By the time I was finally able to do it, I was ready to go.”